Showing posts with label Chris Barillaro. Show all posts
Showing posts with label Chris Barillaro. Show all posts

Thursday, 11 June 2015

Lyric Theatre's Back to Broadway an absolute mastepiece

As I fully expected, the  Lyric Theatre Singers have another winner on their hands with their  25th anniversary show at Concordia’s state of the art downtown DB Clarke Theatre (1455 de Maisonneuve).  I was on hand for the opening show of Back to Broadway on June 11 and musical directors Bob Bachelor and Chris Barillaro, their 48 performers and cast of many others knocked it out of the park. Three performances remain:  June 12 (8 p.m.)  and June 13 (2 p.m. and 8 p.m.).

This highly entertaining Broadway revue features the 48 performers, backed by five musicians, as they transport audiences Back to Broadway via a varied list of musical theatre favourites. Highlights from The Book of Mormon, Chicago, Hairspray and The Producers are featured, along with songs from Company, Catch Me If You Can, Finian’s Rainbow, Beauty and the Beast and so much more!
A scene from the show.


The show starts off with a bang as the entire company enters the stage dressed to the hilt, the men in tuxedos and the ladies in pretty dresses, as they perform Opening Night and The King of Broadway from The Producers, followed by It’s De-Lovely from Cole Porter, My Romance from Richard Rogers and a bilingual version of Singin’ In The Rain. Jonathan Eidelman and Daniel Wilkenfeld pair off nicely in their rendition of a scene from Stephen Sondheim’s Agony from Into the Woods.  In a scene from How to Succeed in Business Without Really Trying, Charlotte Clement and Richard Kallos are nicely complemented by the dynamic Sterling Tipton who tries to play matchmaker.

Tipton, a resident of NDG, is originally from Indianapolis where she majored in French studies at nearby Ball State University. She came to Montreal and through Lyric met her
Sterling Tipton.
significant other Geordie while speaking both languages without a trace of an accent in either. She performs several solos in this year’s show, but her day job in post-production makes her invaluable as Lyric’s webmaster.
“I spent a semester in France during my studies and came to find that Quebec was really the perfect blend of what I loved about France and what I loved about Indiana - plus it's a lot closer to home than living overseas!” Tipton noted. “I didn't want to lose my linguistic skills, so it became obvious that this is where I belonged. I've been here five years now and been with Lyric for four of those.”

The company was just splendid in a series of Gershwin numbers, with Farida El Kilany, Justin Muniz and Tarik Azgui standing out. In Impossible/I Have Dreamed from A Good Night for Singing by Rodgers and Hammerstein, Jennifer Bond, Eidelman, Laurie-Anne Jean Baptiste, Tipton and Wilkenfeld knock it out of the park. Bond, by the way, is here via New York and much to the dismay of Lyric officials only sticking around for a year because of her husband’s employment. She is absolutely superb and watch for her in the show’s encore.
Jennifer Bond lights up the stage.

Bachelor and Barillaro get into the act as well, performing Irving Berlin’s You’re Just In Love from Call Me Madam.  Cathy Burns, who has been with both the Theatre and the Singers on and off for decades as a performer and director, assists Bachelor with all the staging for this show. The duet was her idea. “We needed something to serve as a filler while the cast got changed for the next big number,” she told me. “Bob and Chris are great together.”

That next number was Hairspray – six complete songs in fact and performer Dan Derkson in drag as the perfect Edna Turnblad. Not only were the costumes bang on, but so was the singing and dancing from Welcome to the Sixties, Good Morning Baltimore and It Takes Two to Mama I’m a Big Girl Now, I Know Where I’ve Been and  You Can’t Stop the Beat. Hats off to Mary Sarli for handling the choreography on this one.

The second half starts off with a bilingual presentation of six songs from Beauty and the Beast, with Charlotte Clement as a stunning Belle and Adam Gallay really impressive as Gaston.

Eidelman and Wilkenfeld returned, much to the delight of the audience, with a reprise of Agony followed by another Rodgers and Hammerstein number called Many A New Day/Wash That Man with Hélene Charbonneau, Takeyce Mais and Yamila Scarone Azzi as leads. The Song of Purple Summer, All That Jazz, How Are Things in Glocca Morra and Be My Friend lead us to one of the most popular parts of the evening –the song Two By Two from Book of Mormon. They closed things out with Live in Living Color from Catch Me If You Can and the finale – Being Alive from the 1970 musical Company by Stephen Sondheim.

The Lyric Theatre Singers and more than 85 alumni performers will unite on Saturday, October 17 at the Oscar Peterson Hall in NDG for a very special 50th anniversary concert.

Back to Broadway’s design team is made up of lighting designer Paul Ludwig Teichgraber, sound designer Rob Burgess and costume coordinator Karen Pearce. “It’s a delight and a privilege to work with these talented artists in a state-of-the-art facility,” said producer Louise Dorais. “At the D.B. Clarke Theatre, The Lyric Theatre Singers receive the technical support we need to bring our creative team’s ambitious vision to life. It is very exciting to combine the great performances by our cast and musicians with the enhanced production values at Concordia. The result is 100 percent pure entertainment.”

Tickets are $34 general admission; $30 for students and seniors and $17 for children 12 and under. For more information go to www.lyrictheatrecomany.com, email lyrictheatreboxoffice@gmail.com or call 514-743-3382. Donations of non-perishable goods will be gratefully accepted for the NDG Food Depot.



Friday, 6 February 2015

Forever Plaid musical at the Segal Centre is an extraordinary production

The Segal Centre for Performing Arts in Montreal has developed a well earned reputation for presenting top-notch musicals. Last fall  prominent producer Allan Sandler and his company, Copa de Oro Productions  co-produced the absolutely spectacular  of Les Belles Soeurs the Musical. It was such a gigantic success, a Canadian tour is being mounted for 2016.  Now they have brought us Forever Plaid, the hallmark doo-wop musical, which plays the Segal through Feb. 22 with an extension very likely.

I attended the premiere and let me just say that this was the type of quality production one could expect to see at the Place des Arts. It is no wonder that Sandler already has it booked at the prestigious Winter Garden Theatre in Toronto beginning next September.   While I enjoyed Book of Mormon and Jersey Boys, I must say I rank Forever Plaid at the same level entertainment-wise.

Forever Plaid is a lighthearted musical homage to the golden age of close harmony groups, told through the deliciously goofy story of a 1950s all-male singing group, “The Plaids.” Killed in a car crash on their way to their first big concert (cleverly depicted via a big screen cartoon), the quartet of high-school singers - Jinx, Smudge, Sparky and Frankie- are miraculously revived to get one final chance at musical glory and perform the show that never was.  Stars Chris Barillaro, Gab Desmond, Michael Daniel Murphy and Jonathan Patterson are beyond superb in their roles. They can sing, dance and dish out pure comedy. I’d go see it again just to experience the brilliant three minute and 11 second spoof on a typical series of skits from the legendary Ed Sullivan Show. 

Patterson, Desmond, Barillaro and Murphy

There is a big team behind this production, with Sandler`s eldest son Sean steering the ship and the revered Roger Peace in the director`s chair. The 79 year old actually has the distinction of having appeared on the Ed Sullivan Show.

“If I had to use one word to describe this show it would simply be ‘fun,’” said Sean Sandler, who was warmly saluted by his dad during a post-show presentation. “There is a good reason why Plaid has captured the hearts of audiences for decades. Forever Plaid is a musical that manages to be modern and nostalgic at the same time.

Says Allan Sandler: “We have made a few changes to the show. But it really is the same shtick. I am approaching the end of my career now and I wanted to do a few more of my own musicals. The Belles Soeurs took me five years to get on stage and now it’s Forever Plaid. I was deathly ill not too long ago. I almost did not make it. Somehow I was able to beat this and come back.”

Sandler believes audiences will eat up Forever Plaid (I agree), specifically its medley of 1950s pop hits played in perfect harmony as the quartet bob-shoo-bops their way to fame. This 1990 musical creation was inspired by such iconic vocal formations as The Four Aces, The Four Lads, The Hi-Lo’s and The Crew Cuts.

Forever Plaid was born as an off-Broadway musical revue in 1990. It played The Centaur twice in the 1990s and there was a motion picture version in 2009.

Some of the songs audiences can look forward to are Love is a Many Splendored Thing, Three  Coins in the Fountain and Moments to Remember?  The performance of Matilda is lots of fun and by the time the finale rolls around the entire audience is up on its feet moving to the beat.

Of course presenting this show at the Segal Centre promises everyone who attends the best seat in the house.

Tickets are $32 to $64. Call 514-739-7944 or visit www.segalcentre.org. It runs 80 minutes, with no intermission.



Friday, 14 June 2013

Lyric Theatre's Hallelujah Broadway just outstanding



The Lyric Theatre Singers  are one extraordinary group. There is a reason why their annual concerts at the Oscar Peterson Hall in NDG always sell out and end with standing ovations. This fine oiled local machine is bursting with local talent as was abundantly clear in their 2013 performances of   Hallelujah Broadway. It  featured the unforgettable compositions of George Gershwin that inspired the hit show Crazy For You, the hauntingly beautiful melodies of Kismet and Phantom’s triumphant Masquerade, to selections from Anything Goes, Once on this Island, Cabaret, Titanic, Spamalot, How to Succeed in Business Without Really Trying, The Book of Mormon and  more. With Bob Bachelor as musical director and the multi-talented young Chris Barillaro as his new assistant musical director this show is in good hands.

 
Chris Barillaro

A cast of over 40 performers took to the stage for this high-energy musical revue! This show had a little bit of everything. There were nice costumes, a terrific musical team and even some funny skits. Barillaro was very much part of the show, conducting, playing keyboard and taking center stage as a singer in several numbers. The show began some interaction between performers Linda Cregan and Laurie-Anne Jean Baptiste, one speaking in English and the other in French; Cregan on her cell phone and Baptiste trying to get her attention. It got a few laughs and probably loosened the audience up.



A medley from Crazy for You had high energy, followed by Lady’s Maid from Titanic, More I Cannot Wish You from Guys & Dolls and an entertaining rendition of Book Report from You’re a Good Man Charlie Brown. Don’t Tell Mama from Cabaret followed and then Patrick Bernard delighted the crowd with a beautiful French song, Quand on a que l’amour from Jacques Brel is Alive and Well and Living in Paris. We Dance from Once On This Island preceded a medley from Kismet, a 1953 musical which follows the remarkable and repeated changes of fortune that engulf a poor poet. Barillaro was outstanding in the lead of Run Freedom Run from Urinetown, which closed out the first act with a bang.




Following intermission, Hello from Book of Mormon started things off with the 10 male performers really knocking this out of the park and generating a lot of laughs. You’d Be So Nice To Come Home To (Something to Shout About) and On A Clear Day You Can See Forever led into a very well presentation of Hey There Single Gal/Guy from I Love You, You’re Perfect). This represented the most acting all night as Dan Derkson and Nancy Stuart played dad and mom to Tam Lam Truong as their son and Sara Sousmilllion as the woman they hoped to become their daughter-in-law. But things do no turn out that way.  Barillaro stepped up again for Sante Fe from Newsies. Then came one of the show’s true highlights – the entire cast in costume for Masquerade from Phantom of the Opera.  It’s Hot Up There (Sunday in the Park With George), a Bachelor solo called Love Look Away (Flower Drum Song), In Our Hands (Smile), Anything Goes (Anything Goes), The Song That Goes Like This (Spamalot) and a grand Medley from  How to Succeed in Business Without Really Trying  rounded things out. In fact, Bachelor brought everyone back for an encore and a number from the Wizard of Oz.



It takes a lot of dedication to be part of the Lyric Theatre. Rehearsals began six months in advance of the show and became really intent in the week leading up to the four presentations. Armed with some reliable corporate sponsors and extraordinary administrative and technical team headed by the dynamic Louise Dorais, Lyric remains a true success story. Kudos also goes out to choreographer Mary Sarli,  rehearsal pianist Linda Laroche and VIA Rail Canada  for raffling off a return trip for two in first class between Montreal and Vancouver and return trips for two in business class in the Quebec City – Windsor Corridor.



For more information about Lyric Theatre,  log on to www.lyrictheatrecompany.com.